At first glance, the Orb looks like a futuristic model of an eye with its perfectly formed shiny sphere, and its dial taking the place of the iris and the pupil.
The minimalistic structure is composed of four elytra (that’s the technical word for a beetle’s protective wing covers, in case you were wondering) that not only open up, but can also swivel like a transformer to display the Orb in a variety of different positions. The shiny-white version is reminiscent of the first iPods with their lustrous curved cases, a surface that is particularly pleasing to the eye and the touch.
Orb starts life as a solid block of aluminium that is then hollowed to create the perfect sphere. Once cut, the elytra are then coated with several layers of lacquer that are hardened in a kiln to create the brilliant finish. The four elytra are soldered to the structure with torque hinges so they can retain their angle however little or wide they are opened. When closed, the elytra are held in place with four tiny magnets on the interior of each tip to keep the shape of a perfect sphere.
Powering this state-of-the-art clock is a beautiful L’Epée 1839 hour-striking movement with an eight-day power reserve. In contrast to many of the other MB&F x L’Epée clocks, the movement is not perceivable from the outside. But the perfectly formed sphere invites the viewer into the mechanical heart of the piece and the discovery of the movement.
The eight-day calibre can be seen just slightly through the curved aluminium dial covered by a domed mineral glass, which has a hole in the centre to allow the setting of the time with a special key.
Black & White
Available in white or black, the Orb won’t be able to accompany its owners out into the field, but with its hourly striking mechanism, it is a beautiful reminder of the time as it passes for all desk warriors!
The idea behind the Orb is the brainchild of German designer Maximilian Maertens, who started his artistic career at MB&F as an intern before setting up his own design studio in Berlin. Maertens worked with MB&F and L’Epée on the T-Rex clock, before being given free rein to create the TriPod and now the Orb.
“Max (Maertens) is a natural born creator – something incredibly rare these days. His mind travels and explores his own universe before transforming that thought wandering process into a 3D idea. Our differences enrich the creative process whilst our similarities allow for both of us to understand each other”, says Maximilian Büsser, founder and creative director of MB&F.
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